The Sky is A Neighborhood

I think something we can all agree on as of late is the questionable integrity of the music industry. All of the big labels seem to be forgoing legitimate talent in order to capitalize on trends. Quantity over quality I suppose.

The latest strike against the big labels comes from Atlantic, who recently gave a record deal to the “Cash me outside” girl, who is 13 years old and has absolutely NOTHING to do with the music industry prior. She’s a trend, and Atlantic just wants money.

Seems like a rather dismal and defeatist way to start a post, but all is not lost! We’ve seen a turnout of some pretty decent albums so far this year from bands like The Flaming Lips and PVRIS. Last month we saw a heavy hitter from the Rock re-enter the fight with Queens of the Stone Age releasing their fantastic album “Villains,” and now we have another contender coming in swinging.

 

Foo Fighters have released a new album.

 

Dave Grohl and the gang are back with “Concrete & Gold,” further proving that good rock music is still alive and kicking.

Now, I must make a confession here: I was skeptical when I saw a promotional picture of the band prior to the release of the album. I saw a new member, and he’s a keyboardist. As my friends know, I’m very skeptical about bands officially adding keyboardists. Nothing agains the musicians themselves, however usually when an established rock band adds one their sound changes to more of a generic pop sound.

Thankfully, this was not the case.

Foo Fighters have had keyboardists playing with them in the background for years now, but never officially added one to the lineup. Upon further examination of the photo, I realized I was looking at Rami Jaffee. Rami was part of the Wallflowers, and has worked with acts like Coheed & Cambria, Soul Asylum, and even Stonesour.

So, that kind of put me at ease.

Now that the album is out and I’ve listened through it about ten times already, all my worries have gone out the window. Grohl knows what he’s doing. He always knows.

There’s no trace of over-synthed beats and loops, no “uhn-tiss uhn-tiss” dance beats, and NO dubstep drops to be seen. No, “Concrete & Gold” is a legitimate Foo Fighters release from beginning to end.

The Foos have an amazing knack for expanding their sound, while simultaneously staying true to themselves. You hear a track like the single “Run,” and you think to yourself “Yep, that’s Foo Fighters alright.” Then you hear a song like “Dirty Water” and it sounds like someone took the best elements of Foo Fighters and mashed it together with the best elements of Metric and blessed us with this tune.

It’s actually funny. I was watching the Foo Fighters’ documentary “Back and Forth” and I kept saying “Oh man, I really like that song” and “Yeah that one too!” Throughout the whole thing, and the I realized something: there really isn’t any Foo Fighters songs I dislike.

I thought that was kind of odd, since there’s usually something by bands I don’t like. For instance: most of the recent releases from Smashing Pumpkins, and some of the songs off of Interpol’s self titled album. And that’s saying something because I love BOTH of those bands!

So I asked around to some of my musician friends, and was surprised to hear they all pretty much agreed with me. It seems like the Foos can do little wrong when it comes to their albums, and this one is no exception. It’s a little different, but it’s still undeniably a true Foo Fighters album.

Check out “Concrete & Gold,” the band’s ninth studio album, available in stores and online now.

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